Fabulous Finlandia; 1982 Granada C22XZ5
Tales of woe after the storms. (2007)
Live Aerial Mast
Total collapse
What Not To Do
1983 Philips 26CS3890/05R Teletext & Printer
MRG Systems ATP600 Databridge
Teletext Editing Terminal
Microvitec Monitor 1451MS4
BBC Microcomputer TELETEXT Project
Viewdata, Prestel, Philips
Philips Model Identification
1976/77 Rank Arena AC6333 – Worlds First Teletext Receiver
PYE 1980s Brochure
Ceefax (Teletext) Turns 50
Philips 1980s KT3 – K30 Range Brochure
Zanussi Television Brochure 1982
Ferguson Videostar Review
She soon put that down
1983 Sanyo Brochure
Wireless World Teletext Decoder
Unitra Brochure
Rediffusion CITAC (MK4A)
Thorn TRUMPS 2
Grundig Brochure 1984
The Obscure and missing Continental
G11 Television 1978 – 1980
Reditune
Hitachi VIP201P C.E.D Player
Thorn 3D01 – VHD VideoDisc Player
Granada Television Brochure, 1970s
Long Gone UK TV Shops
Memories of a Derwent Field Service Engineer
PYE Australia Circa 1971
Radios-TV VRAT
Fabulous Fablon
Thorn TX10 Chassis
Crusty-TV Museum, Analogue TV Network
Philips N1500 Warning!
Rumbelows
Thorn EMI Advertising
Thorn’s Guide to Servicing a VCR
Ferguson 3V24 De-Robed
Want to tell us a story?
Video Circuits V15 – Tripler Tester
Thorn Chassis Guide
Remove Teletext Lines & VCR Problems
Suggestions
Website Refresh
Colour TV Brochures
Fabulous Finlandia; 1982 Granada C22XZ5
Tales of woe after the storms. (2007)
Live Aerial Mast
Total collapse
What Not To Do
1983 Philips 26CS3890/05R Teletext & Printer
MRG Systems ATP600 Databridge
Teletext Editing Terminal
Microvitec Monitor 1451MS4
BBC Microcomputer TELETEXT Project
Viewdata, Prestel, Philips
Philips Model Identification
1976/77 Rank Arena AC6333 – Worlds First Teletext Receiver
PYE 1980s Brochure
Ceefax (Teletext) Turns 50
Philips 1980s KT3 – K30 Range Brochure
Zanussi Television Brochure 1982
Ferguson Videostar Review
She soon put that down
1983 Sanyo Brochure
Wireless World Teletext Decoder
Unitra Brochure
Rediffusion CITAC (MK4A)
Thorn TRUMPS 2
Grundig Brochure 1984
The Obscure and missing Continental
G11 Television 1978 – 1980
Reditune
Hitachi VIP201P C.E.D Player
Thorn 3D01 – VHD VideoDisc Player
Granada Television Brochure, 1970s
Long Gone UK TV Shops
Memories of a Derwent Field Service Engineer
PYE Australia Circa 1971
Radios-TV VRAT
Fabulous Fablon
Thorn TX10 Chassis
Crusty-TV Museum, Analogue TV Network
Philips N1500 Warning!
Rumbelows
Thorn EMI Advertising
Thorn’s Guide to Servicing a VCR
Ferguson 3V24 De-Robed
Want to tell us a story?
Video Circuits V15 – Tripler Tester
Thorn Chassis Guide
Remove Teletext Lines & VCR Problems
Suggestions
Website Refresh
Colour TV Brochures
Thank you Steve. You have worked tirelessly to present your findings. I'm sure many of the (rather few) members are very grateful for your efforts. Certainly I am.
More generally, this thread and some others that Steve has posted are a unique set of carefully curated and compiled information. I feel that these data (a pretentious attempt to drag in some Latin grammar) should hopefully outlive this forum and many of us.
As an archivist I feel the need to preserve these in a better way than just the archive.com's Wayback Machine which, while wonderful, could have the rug pulled from under it at any time by copyright owners.
Unfortunately the archive for which I work does not collect or preserve the printed word, nor do I think the British Library would be interested - though I'd be very pleased to be proved wrong.
I'd welcome any ideas how we may preserve this information for our descendants who might show interest.

A good place to preserve it would be on Radiomuseum.org as I know plans are in place to preserve it long-term.






I wonder how much the US professional market was influenced by the success of the Collins mechanical filter series, I'm sure I recall seeing somewhere that the type was suited to frequencies in the range 50kHz to 600kHz, presumably outside this range made them unwieldy below the LF end and demanding to machine with sufficient precision beyond the HF end? I assume that one of the first widely produced examples of this series were those for Collins' R-388 receiver of the early '50s whose dual-conversion/LO1 crystal allocation pretty much dictated 500kHz second IF. Without witnesses/dependable literature of the era, there's a risk of slipping into chicken-and-egg misconception, but maybe later settling on 455kHz was influenced by a desire for commonality with mass-market IFT manufacture plus the existance of professional accessories that functioned at IF such as RTTY/SSB decoders, panadapters and so on.
With less existing background in "package" filters, maybe European manufacturers chose an IF suited to a popular professional application, i.e. marine receivers, i.e. outside the 300-500kHz and 1.6MHz+ regions- albeit needing competent screening and filtering to avoid MW broadcasting breakthrough, admittedly this would have been a concern with pretty much any chosen part of the by-then busy sub-30MHz spectrum of the era.

Cheers,
Steve
P.S. There is a 1969 December Collins filter catalogue at: http://www.peakbagging.com/Electronic/CollinsMechFilters.pdf.





Posted by: @synchrodyneIf the 50 kHz final IF was a given, basis Drake’s long history of using it, then an intermediate IF was required. But even if that did precondition not obtain, then there was another reason for having three IFs, and that was to facilitate the use of passband tuning. In this case that was done by synchronous fine adjustment of the 2nd and 3rd oscillator frequencies.






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