1976/77 Rank Arena AC6333 – Prototype Teletext Receiver
PYE 1980s Brochure
Ceefax (Teletext) Turns 50
Philips 1980s KT3 – K30 Range Brochure
Zanussi Television Brochure 1982
Ferguson Videostar Review
She soon put that down
1983 Sanyo Brochure
Wireless World Teletext Decoder
Unitra Brochure
Rediffusion CITAC (MK4A)
Thorn TRUMPS 2
Grundig Brochure 1984
The Obscure and missing Continental
G11 Television 1978 – 1980
Reditune
Hitachi VIP201P C.E.D Player
Thorn 3D01 – VHD VideoDisc Player
Granada Television Brochure, 1970s
Long Gone UK TV Shops
Memories of a Derwent Field Service Engineer
PYE Australia Circa 1971
Radios-TV VRAT
Fabulous Fablon
Thorn TX10 Chassis
Crusty-TV Museum, Analogue TV Network
Philips N1500 Warning!
Rumbelows
Thorn EMI Advertising
Thorn’s Guide to Servicing a VCR
Ferguson 3V24 De-Robed
Want to tell us a story?
Video Circuits V15 – Tripler Tester
Thorn Chassis Guide
Remove Teletext Lines & VCR Problems
Suggestions
Website Refresh
Colour TV Brochures
1970s Lounge Recreation
CrustyTV Vintage Television Museum
Linda Lovelace Experience
Humbars on a Sony KV2702
1972 Ultra 6713
D|E|R Service “The Best”
The one that got away
Technical information
The Line Output Stage
The map
Tales of a newly qualified young engineer.
Tales of a Radio Rentals Van Boy
1976/77 Rank Arena AC6333 – Prototype Teletext Receiver
PYE 1980s Brochure
Ceefax (Teletext) Turns 50
Philips 1980s KT3 – K30 Range Brochure
Zanussi Television Brochure 1982
Ferguson Videostar Review
She soon put that down
1983 Sanyo Brochure
Wireless World Teletext Decoder
Unitra Brochure
Rediffusion CITAC (MK4A)
Thorn TRUMPS 2
Grundig Brochure 1984
The Obscure and missing Continental
G11 Television 1978 – 1980
Reditune
Hitachi VIP201P C.E.D Player
Thorn 3D01 – VHD VideoDisc Player
Granada Television Brochure, 1970s
Long Gone UK TV Shops
Memories of a Derwent Field Service Engineer
PYE Australia Circa 1971
Radios-TV VRAT
Fabulous Fablon
Thorn TX10 Chassis
Crusty-TV Museum, Analogue TV Network
Philips N1500 Warning!
Rumbelows
Thorn EMI Advertising
Thorn’s Guide to Servicing a VCR
Ferguson 3V24 De-Robed
Want to tell us a story?
Video Circuits V15 – Tripler Tester
Thorn Chassis Guide
Remove Teletext Lines & VCR Problems
Suggestions
Website Refresh
Colour TV Brochures
1970s Lounge Recreation
CrustyTV Vintage Television Museum
Linda Lovelace Experience
Humbars on a Sony KV2702
1972 Ultra 6713
D|E|R Service “The Best”
The one that got away
Technical information
The Line Output Stage
The map
Tales of a newly qualified young engineer.
Tales of a Radio Rentals Van Boy
EVR Electronic Video Recording
Before any home tape formats, a system called EVR existed. Developed by CBS, players were made by CBS and a number of other Japanese companies including Mitsubishi who had a model of which I worked on a few.
The system concept is quite simple. The medium is 8.75mm monochrome film with a central division. For colour playback half the film is a luminance image while the other half has a subcarrier graticule. Sound is magnetic.
The player consists of a flying spot tube and beam splitter that is optically coupled to 2 photo-electric cells.
The Y cell supplies a conventional video amplifier. The C cell output is amplified and by filtering is split into a signal path and a pilot path.These are then Processed and converted to either 3.58MHz NTSC or 4.43MHz PAL. There were different models for PAL and NTSC and there were different films.
There was some particular cleverness in the conversion process to allow an NTSC or PAL output even though the film had straight quadrature modulation. This was easily demonstrated by the scan horizontal linearity setup was done on a single colour frame and set for evenness of hue.
The loading mechanism deserves some explanation. When a reel is placed in the machine and the play button is pressed, the reel is stretched apart slightly, allowing the leader barb to spring out an get picked up by the loading mechanism.
Manufacturing the film required greater accuracy that can be done in a conventional film lab. A special process was developed using electron beam scanning, which of course had to be done in a vacuum. Films for the UK were made in the basement of 142 Wardour St.W1. Ironically I went on to spend several years working in that basement which was then a TV facilities company.
Here is a link to a good article with some pictures:
https://www.terramedia.co.uk/media/video/evr.htm
It was never successful as a home format. Most of the Mitsubishi EVRs spent their time playing out information films at airports and the like. You could set one on auto-repeat and leave it playing for months or years with hardly any deterioration in media, unlike videotape.
I have read that the system was capable of carrying 2 sets of monochrome images. I never saw a film like this and don't think our machine would have coped.
@sundog Rank Bush Murphy did some work on the system in the UK and produced a very small number of machines, around twenty I'm led to believe. A collector has one and it can be seen in this thread. https://www.vintage-radio.net/forum/showpost.php?p=373096&postcount=42
John.
Yes you are right, I forgot Rank made one. In fact Rank were the occupiers of 142 Wardour St. during the EVR film production and part of my days there.
What I failed to mention is that I gave away a Mitsubishi EVR while I was working there, that had been in my loft for years. An engineer's father was a collector of "junk" (as I am now) so I happily gave it away. Sad;(
Is this it?
@sundog Yes, it looks like it although I thought these ones with the grey bezel were black and white? Colour versions not making an appearance until the mid 70s.
A black and white one that looks identical was smashed up in the first episode of the BBC drama The Changes:
Funnily enough I remember repairing on from the BBC with lots of circuitry added that may have been for gen-lock. After removing the mods, it worked fine and was returned to them.
Posted by: @waynedColour versions not making an appearance until the mid 70s.
If you go to the excellent website at http://www.murphy-radio.co.uk/murphybilia/murphy_bilia6.html you'll find that the "Quite White" colour Murphy dates from 1969, no less - a natural continuation from the black and white "Painted Murphys" from a couple of years prior.
@cathovisor I'd better not let my wife see those, she'll be painting our Samsung.
Posted by: @cathovisorPosted by: @waynedColour versions not making an appearance until the mid 70s.
If you go to the excellent website at http://www.murphy-radio.co.uk/murphybilia/murphy_bilia6.html you'll find that the "Quite White" colour Murphy dates from 1969, no less - a natural continuation from the black and white "Painted Murphys" from a couple of years prior.
I stand corrected! 😮
I was always led to believe that those RBMs didn't have a colour version until the mid 70s.
Posted by: @sundog@cathovisor I'd better not let my wife see those, she'll be painting our Samsung.
They look very nice "in the wood" - I've never seen a Revolution Red one, but I have seen Dramatic Black, Quite White, Smooth Blue, Serene Green and Outrageous Orange (and it really is!) examples in my time.
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